Hammad Nasar, head of research and programs at Asia Art Archive, began his tenure there in Hong Kong in September 2012. Previously, he was curatorial director of the London-based arts organization Green Cardamom, which he cofounded. He was a fellow of the Clore Leadership Programme, a research fellow at Goldsmiths College, London, and arts director for the Festival of Muslim Cultures in the United Kingdom, 2006–2007. Nasar has worked extensively as a curator and cocurator on a number of projects, including “Karkhana: A Contemporary Collaboration” at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut, and the Asian Art Museum, San Francisco, 2005–2007; “Safavids Revisited” at the British Museum, London, 2009; “Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh” at the Whitechapel Gallery, London, and Fotomuseum Winterthur, Winterthur, 2010; “Beyond the Page: Miniature as Attitude in Contemporary Art from Pakistan” at the Pacific Asia Museum, Pasadena, 2010; and “Lines of Control: Partition as a Productive Space” at the Johnson Museum at Cornell University, 2012, and the Nasher Museum of Art at Duke University, 2013. Prior to entering the art world, Nasar worked as a management consultant and banker.